2005 - 2007 Oda Projesi as 101.7 EFEM was at 94.9 Açık Radyo (Harbiye)
then from time to time appeared with the parazites
now 2021 Oda Projesi is at Radyo Bienal.
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AND JOIN
20201008
ODA PROJESİ Workshops: Care, Sisterhood and Witchcraft As Transforming Powers
ODA PROJESİ WORKSHOPS
22 September - 3 November 2020
SALT ONLINE / ISTANBUL
https://saltonline.org/tr/2263/calisma-gruplari-oda-projesi-atolyesi?agenda
The third of SALT's Working Groups is initiated by the artist collective Oda Projesi (Özge Açıkkol, Güneş Savaş and Seçil Yersel). The members of the collective, who have focused their research on "motherhood and production" since 2013, have had a series of conversations with groups of mothers who are not limited to their own experiences. During these meetings, “How were our daily life and art practices shaped after becoming a mother? How did maternal states affect our production? " questions such as. The Oda Projesi, which expands the scope of these questions with the effects of the ongoing epidemic conditions, will open the concepts related to motherhood to discussion based on the text "The Fisher's Daughter" from Ursula K. Le Guin's Woman Dreams Dragons.
Özge Açıkkol will focus on the concept and action of "care", which is the basis for a hierarchical and disproportionate relationship or support and solidarity. Seçil Yersel will question motherhood through "witchcraft", which is considered one of the malicious forms of womanhood; will develop a reading about the constructive, destructive and productive aspects of the mother, who is perceived as a healing and life-priming force in the field of power. Güneş Savaş will go beyond the isolation of epidemic conditions and look at the possibilities of collective action; It will search for ways to create alternatives to private spaces in houses that are getting smaller and more crowded.
(The language in the working groups are in Turkish)
20200123
ODA PROJESİ 20 YEARS / 20 YAŞINDA
Merhaba,
Oda Projesi started its life exactly 20 years ago today on January 22, 2000, in Galata, İstanbul.
The artist collective, consisting of Özge Açıkkol, Güneş Savaş and Seçil Yersel, made its opening in 2000 in a three-room apartment on Şahkulu Street 39/1, with Özge Açıkkol’s project based on George Perec’s text "About a Useless Space".
Oda Projesi, with its commitment and respect for the creativity of Istanbul and its residents, still keeps on asking questions and producing about space and place. By using tools such as postcards, radio, books, posters, newspapers, or temporary spaces; it continues to reflect on the possibilities of new relationship models as well as on the diversified individual positionings of the group members and the changing public situations.
We are happy to celebrate our 20th anniversary with you.
We will notify you for a face-to-face meeting in April.
We wish you a healthy and pleasant new year.
Kind regards
Oda Projesi
//////////
Merhaba
Oda Projesi, tam 20 sene önce bugün; 22 ocak 2000'de bir cumartesi günü, hayatına İstanbul, Galata'da başladı.
Özge Açıkkol, Güneş Savaş ve Seçil Yersel'den oluşan sanatçı kolektifi 2000 yılında Şahkulu Sokak 39/1 adresinde yer alan üç odalı mekânda; Özge Açıkkol'un, Georges Perec'in "Yararsız Bir Uzama Dair" metnini merkeze aldığı projesi ile açılışını yaptı.
Oda Projesi, halen İstanbul ve sakinlerinin yaratıcılıklarına olan bağını ve saygısını ön planda tutarak, yere ve mekâna dair sorular sormayı sürdürüyor. Kartpostal, radyo, kitap, poster, gazete gibi araçları ya da geçici mekânları kullanarak yeni ilişki modellerinin olanakları —ve grup üyelerinin farklılaşan bireysel pozisyonları ve farklılaşan kamusal durumlar— üzerine düşünmeye ve üretmeye devam etmektedir.
20. yılımızı sizlerle beraber kutlamaktan keyif duyuyoruz.
Nisan ayında gerçekleşecek yüzyüze buluşma için sizi haberdar edeceğiz.
Sağlıklı ve keyifli bir yeni yıl dileklerimizle
Sevgiler
Oda Projesi
20191118
On Fail[l]ed Tales and Ta[y]lors / Oda Projesi, As if a Jammer
6th issue of Annex is on air now in Donostia/San Sebastian!
oda projesi as if a jammer / / in tabakalera - donostia/san sebastian
Madrassa collective. On Fail[l]ed Tales and Ta[y]lors
Saturday, 9 November 2019 > Sunday, 16 February 2020
On Fail[l]ed Tales and Ta[y]lors adopts inefficiency, exhaustion, incompleteness, error and failure as conceptual and methodological frameworks, and as aesthetic and political principles, by inviting artists and collectives whose projects aim to challenge dominant standards within and beyond the arts.
The exhibition gathers artistic proposals that use the above-mentioned concepts as the catalyst of their practice to explore the past and present potentials of utopic making and unmaking. Mainly based on cross-disciplinary research, long-term collaborative processes and experimental productions, moreover, the works presented raise questions about the meaning of creation itself and the processes that it is doomed to go through within art and its institutions.
The exhibition gathers artistic proposals that use the above-mentioned concepts as the catalyst of their practice to explore the past and present potentials of utopic making and unmaking. Mainly based on cross-disciplinary research, long-term collaborative processes and experimental productions, moreover, the works presented raise questions about the meaning of creation itself and the processes that it is doomed to go through within art and its institutions.
Based on a residency and on a seminar given at Tabakalera in 2018, On Fail[l]ed Tales and Ta[y]lors expands the reflection on collective making that Madrassa Collective started in 2015 and which was materialised in the exhibition Something to Generate From in 2016 at the Kunsthal Aarhus. Madrassa explores collaborative forms and collective artistic practices that, operating across a variety of fields and emerging from diverse epistemic worlds, embody the possibility for instituting new practices, spaces and times. The curatorial body engages in exhibitions as spaces capable of giving voice to these collective forms, and as the very times in which new notions of the collective come to form.
Participants in the exhibition:
- Ala Younis
- Grupo Etcetera
- Oda Projesi
- Sofiane Zouggar
- Suspended Spaces
- Yasmina Reggad
https://www.tabakalera.eu/en/oda-projesi
20190505
The World's Last Exhibition 4 mayıs-30 haziran 2019 / Til Vægs Copenhagen
The World’s Last Exhibition
Åsa-Maria Bengtsson (SE) Ida Brockmann (DK) Sidsel Christensen (DK)
Therese Frisk (SE) Emma Hart (UK) Oda Projesi (TR) Sara Ramo (BR / SP)
Therese Frisk (SE) Emma Hart (UK) Oda Projesi (TR) Sara Ramo (BR / SP)
Zero Point,
Oda Projesi, İstanbul, 2019
İstanbul: The zero point of the universe. This city is both the reason and the object of a last exhibition in the world. Recently, we are witnessing how the city is still an amorph organism but also nowadays it is very much tried to be shaped, organized and structured. Before, the city was more visible and open; nowadays most of the city is veiled with metal walls and this is all one could see. “The last” is a word hard to visualize, we go after “hope” once we talk about “the last”; near the salty water there in the concrete one can see the flourishing green; the wild nature. We are experiencing the harsh destruction of the city; but still the seed is on the street, in the balcony pot, in the cracks of the buildings; resistant and wild. The Milion was the center of the Earth and the mile marker in Constantinople; probably dating to the reign of Constantine (d. 337), it played a role in reinforcing the Romanitas of the new capital, as it was modeled on the Miliarium Aureum in old Rome. The Milion originally marked the start of all roads throughout the empire, symbolically evoked the entire Roman world and Constantinople’s place in it.
http://tilvaegs.com/?fbclid=IwAR0GlHKQBWP4txpXwVeX__W8V9dHpj2rZB0JrCAS3rnXhcL84weAWZfD0dw
20190105
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